Par Géraldine Bueken et Clementine Feuga PAXI /Case Analysis LE STUDY TOUR ENCATC MAROC 2019 – La genèse du collectif PAXI Tout a commencé le 10 juin 2019 lorsque les participants du STUDY TOUR ENCACT 2019 se sont réunis à la Squala, le splendide café maure de Casablanca qui fut le point de départ d’unRead more
Par Samba Soumbounou Afrikayna /ANGLES Approche participative pour une gestion collective du patrimoine | sensibilisation et bénévolat : Exemple de Casablanca “Pour préserver le patrimoine d’une ville, il faut d’abord faire aimer son patrimoine”. La notion du patrimoine est de nos jours, au cœur des préoccupations des grandes métropoles africaines. Au delà de sa définition,Read more
By Sofia Margarida de Castro Barros Correia dos Santos Archivist – public organization /Case Analysis Building the cultural heritage through Archives and Arts – three case studies Introduction Archives can be described as a place in which public records or historical materials, such as documents are preserved and safeguard (Dicionário de Terminologia Arquivística Brasileiro, 2005). The ArchivesRead more
By Rui A. S. Esteves Área Metropolitana do Porto (Portugal) /TEACHING EXPERIENCE Network of Cybersecurity Classrooms for Kids Cybersecurity is one of the main topics in the real world, not only in cyberspace. We must be alert and protected because we are all time connected and all time online. Creating courses to teach Cybersecurity toRead more
By Aleksandra Tatarczuk Cultural animator, project manager, founder of Dwie Ole collective (dwieole.pl) /CASE ANALYSIS Participation triangle Introduction Participation triangle is a cooperation method used during the Oliwa ożywa project in Gdańsk (Poland). In 2013 the inhabitants of Orkana Street in Stara Oliwa district had become engaged into the transformation of obsolete greenery belt intoRead more
By Dr. Olga Kolokytha Assistant Professor, Department of Communication, University of Vienna /CASE ANALYSIS Networks and synergies in the cultural sector. A case study in opera Introduction The European Opera Centre, based at Liverpool Hope University, but wholly independent from it legally, was launched at the end of 1997 after extensive consultation with European institutions,Read more
